Download e-book for kindle: Contemporary British Theatre: Breaking New Ground by V. Angelaki

By V. Angelaki

ISBN-10: 1137010126

ISBN-13: 9781137010124

Contemporary British Theatre: Breaking New flooring brings jointly a workforce of the world over well-liked teachers and promises state of the art discourse at the strongly rising culture of experimentation in modern British theatre to redefine what the dramatic stands for at the present time. The chapters specialise in influential performs, playwrights and theatre practitioners to supply unique and rigorous serious views at the key debates informing theatre perform and scholarship this present day. This publication areas the spectator on the middle of the enquiry and examines the unconventional redefinition of shape and content material within the context of society, politics, authorship and intentionality, the metaphysical flip in drama, social interventions and resonance, expressive unpredictability, race and identification, ethics/responsibility and the limits of illustration. that includes members akin to Dan Rebellato and Chris Megson, the quantity discusses modern theatre via a number playwrights together with Martin Crimp, Caryl Churchill and Debbie Tucker Green.

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Extra resources for Contemporary British Theatre: Breaking New Ground

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Barker’s comment should not be overlooked – the ‘ignorance’ he speaks of encapsulates the instinct of discovery and engagement that unifies groundbreaking contemporary authors, however differently they approach their craft. It is the same instinct that leads to new ways of showing, and new ways of seeing. In the pages that follow the idea echoes, as we focus on representative examples that will provide an understanding of how, without shortcuts, modern spectators have been equally challenged and encouraged by playwrights to take the journey into the new realms of the dramatic medium, not as passive bystanders, but as active participants.

The authors proceed to discuss this within the context of a considerate textual, Introduction 7 performance but also critical framework, drawing their primary examples from the playwright’s not particularly prolific, yet undoubtedly influential work, including some of her most well-known texts. In ‘Children and the Limits of Representation in the Work of Tim Crouch’ Helen Freshwater identifies the practitioner’s controversial work as a suitably challenging case study through which to take on one of the most complex and topical subject matters in contemporary theatre.

3 The conversation will most likely continue in print and electronic media as we attempt to establish the lay of the land. It is particularly important that such developments in the arts scene have come in the aftermath of major financial and social crises, as well as political tribulations, in the first decade of the twenty-first century. These critical events had already led to a general sense of the arts being tested both for their inventiveness in a climate of ever competitive funding and for their relevance against the intensifying challenges in contemporary society, not only in Britain but also further afield.

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Contemporary British Theatre: Breaking New Ground by V. Angelaki


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