By Luciana Parisi
A suggestion that algorithms should not easily directions to be played yet considering entities that build electronic spatio-temporalities.
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Additional info for Contagious Architecture: Computation, Aesthetics and Space (Technologies of Lived Abstraction)
28 The Fork Bomb is a short section of code able to process a large number of algorithmic calculations, which very quickly saturate the available space in the list of processes kept by the computer’s operating system. The Fork Bomb shows how computational processes are slowed down by means of computational processes. The limit of computation is demonstrated here by the continual repetition of a simple sequence of algorithms, which saturate the search space and make the entire computation collapse.
According to Kay, object-oriented software could not therefore distinguish between data (or structures) and code (functions), as both data and code were merged into an undividable thing: Incomputable Objects in the Age of the Algorithm 29 the computational object. The user of the object, therefore, did not need to see what was inside the back box in order to receive and transmit messages: the user could develop an intuitive approach to computation rather than having to become a computer programmer.
Yet I will argue here against this predominant tendency, as it discards the possibility that change could concern the formal logic of computation, and by doing so forces the abstract reality of algorithms to become a mere effect of the biophysical world. In the field of algorithmic architecture, one recent example of such a tendency can be found in the works of architect Greg Lynn, whose digital design takes inspiration from biophysical vector fields that lead to the growth of an emerging algorithmic form.
Contagious Architecture: Computation, Aesthetics and Space (Technologies of Lived Abstraction) by Luciana Parisi