By Jyotsna Singh
Breaking floor in post-colonial reports, Colonial Narratives/Cultural Dialogues explores the west's courting to the heritage of British colonialism in the context of cultural reviews. Jyotsna Singh highlights the interconnections among early sleek colonial encounters, later manifestations within the Raj and their lingering effect within the postcolonial Indian kingdom. She examines the assumptions implicit in representations of colonialism and questions the validity of eyewitness debts and unmediated stories. Singh combines legit, formal narratives utilized in India and the unofficial, casual bills of dissonant voices. one of the texts thought of listed below are experiences of Shakespearean productions in colonial Calcutta and postcolonial, Indo-Anglian novels; 17th century go back and forth narratives approximately India; eighteenth century "nabob" texts; letters of Sir William Jones, the Orientalist; and East India corporation petitions.
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Additional info for Colonial Narratives Cultural Dialogues: Discoveries of India in the Language of Colonialism
Thomas Coriate to his Friends in England sendeth greeting (1618). A distinguishing feature of these narratives is the way that Coryate’s eye-witness experiences are so wholly imbricated within the conventional embellishments of the travel genre. ” And when responding to the geographical locations associated with mythic names, Coryate displays the influence of standard travel narratives, drawn from classical history, biblical stories, and epic fictions, often imaginatively re-creating the journeys and personae of legendary figures such as Aeneas, Ulysses, and Tamburlaine.
Given these linguistic and ideological divisions, it is not surprising that a confusion about the personal, political, and commercial aspects of gift-giving greatly preoccupied the Ambassador in his dealings with the Mogul court. It “beeing the Custome,” Roe reveals in his journal, that “when any body hath busines [with the King] to giue somewhat, and those that cannot come neere to speake, send in or hould up their guift, which he eccepts bee it but a rupie (single currency), and demands their bussines” (in Foster 1899:115).
Brave Brute of our best English wits descended Rise top of wit, the honor of our Nation, And to old Illium, make a new oration. (Coryate 1616: quoted in Purchas 1625:1816) While such moments of theatrical self-posturing typically color most of Coryate’s cultural encounters, they also crucially reveal how mythical allusions and tropes of the discovery genre prescribed the experiences and interactions of the self-aggrandizing traveler. ” From his historical perspective, he cannot recognize that while he is not going to found a new empire as Aeneas did, he will nonetheless be an important, if naive, witness to the beginnings of Britain’s empire in India.
Colonial Narratives Cultural Dialogues: Discoveries of India in the Language of Colonialism by Jyotsna Singh