By Linda Ben-Zvi, Angela Moorjani
The yr 2006 marked the centenary of the start of Nobel-Prize profitable playwright and novelist Samuel Beckett. To commemorate the get together, this assortment brings jointly twenty-three prime overseas Beckett students from ten nations, who tackle the centenary problem of "revolving it all": that's, going "back to Beckett"-the identify of an prior research by means of critic Ruby Cohn, to whom the e-book is dedicated-in order to reconsider conventional readings and theories; supply new contexts and institutions; and reconsider his influence at the glossy mind's eye and legacy to destiny generations. those unique essays, so much first awarded through the Samuel Beckett operating staff on the Dublin centenary party, are divided into 3 sections: (1) considering via Beckett, (2) transferring views, and (3) Echoing Beckett. As time and again in his canon, photographs precede phrases. The publication opens with stills from movies of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German shuttle Diaries, offered through Beckett biographer James Knowlson, with permission from the Beckett property. popular director and theatre theoretician Herbert Blau follows along with his own Beckett "thinking through." Others partially I discover Beckett and philosophy (Abbott), the impacts of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays partially II recontextualize Beckett's works on the subject of iconography (Moorjani), movie theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary box (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and function matters (Rodr?guez-Gago). half III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). ultimately, Beckett himself turns into a personality in different playwrights' works (Zeifman). Taken jointly those essays make a transparent case for the demanding situations and rewards of considering via Beckett in his moment century.
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Additional info for Beckett at 100: Revolving It All
If there’s long been, not only in the theater, but in my writings on Beckett too, that virtual habit of thinking through him, his words my words, or by means of the aporias in his own aﬄicted thought, ephectic, solipsistic, and even masochistic, that occurs by something more than the self-commiserating solace of sympathetic identiﬁcation. What drew me to Beckett to begin with, from the “Nothing to be done,” the line that launches the waiting for the absence known as Godot, to the traumatizing mathematics in his shorter plays and prose, was an activating exactitude about an encrypted void, what otherwise seemed hopeless, or what if you really engaged it, through the temptations to laugh it oﬀ, what Beckett himself provoked (but mostly overdone now in stagings of his plays), was really unnerving too.
Beckett’s social contacts in Bamberg were almost inevitably casual, except for his encounter with the tailor/guide Arnold Mrowietz from whom he ordered a “midnight blue” suit and met up with later in his trip in different towns to have ﬁttings. It was his meeting with Mrowietz that elicited the delightful distinction between “being done” (when you realize that you are being conned) and “being done in the eye” (when you are unaware of it), as well as an even more profound insight into his own nature when he wrote, “curious that I can so court a person that essentially I shudder away from.
GD, Feb. . James Knowlson, “Beckett’s First Encounters with Modern German (and Irish) Art,” Samuel Beckett: A Passion for Painting, ed. Fionnuala Croke (Dublin: National Gallery of Ireland, ) –. . GD, Feb. . ). Beckett the Tourist 31 This page intentionally left blank Part I THINKING THROUGH BECKETT This page intentionally left blank Apnea and True Illusion Breath(less) in Beckett HERBERT BLAU Astride of a grave and a diﬃcult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps.
Beckett at 100: Revolving It All by Linda Ben-Zvi, Angela Moorjani