Download PDF by Judith G. Miller: Ariane Mnouchkine (Routledge Performance Practitioners)

By Judith G. Miller

ISBN-10: 0203448472

ISBN-13: 9780203448472

ISBN-10: 0415338840

ISBN-13: 9780415338844

ISBN-10: 0415338859

ISBN-13: 9780415338851

Routledge functionality Practitioners is a chain of introductory courses to the foremost theatre-makers of the final century. every one quantity explains the heritage to and the paintings of 1 of the main affects on 20th- and twenty-first-century functionality. the most vital administrators of her new release, and one of many simply girls ever to have attained nice director prestige in France, Ariane Mnouchkine's paintings is in insurrection opposed to declamation and text-based theatre. A utopian humanist, attracting actors from virtually 40 varied international locations to her corporation, Le Theatre du Soleil, Mnouchkine nurtures a passionate following. This is the 1st publication to mix: an summary of Mnouchkine's existence, paintings and theatrical affects an exploration of her key rules on theatre and the artistic approach research of key productions, together with 1789 and Richard II. As a primary step in the direction of severe knowing, and as an preliminary exploration sooner than occurring to additional, fundamental examine, Routledge functionality Practitioners are unbeatable price for brand new scholar.

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Extra resources for Ariane Mnouchkine (Routledge Performance Practitioners)

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Concentrating on “history,” as just presented, provides Mnouchkine with a rich source for political commentary. In the course of the Théâtre du Soleil’s 1970–2 elaboration of its now legendary collective reinterpretation of the French Revolution (1789 and 1793), Mnouchkine frequently invoked the need to tell a story about history with which every audience, and particularly a popular audience, could engage. She began then to articulate her sense of history as the spine of her work: [We] realized that the only heritage common to all French people, even if it is distorted, is the History of France.

Her theater now re-situates France within a globalized network: Her questions no longer focus on the distance between social classes in a relatively comfortable world (1789), or even the integration of former colonized immigrants into a French context (L’Age d’Or), but rather on the unpredictable and uncontrollable flow of human beings from feuding, repressive, and transitioning regions into the so-called developed world. In Le Dernier Caravansérail, Mnouchkine even decenters what is most crucial to French identity, the French language.

History, in this light, is never distant from the present. Past and present reflect dialectically upon each other. Thus in Mnouchkine’s work, she always connects what has happened – and how this has been interpreted – with what is happening. Furthermore, she often focuses on what she deems to be history in the making – or contemporary events of such import that they are sure to have an impact on how society and the individuals who compose it move and change. Concentrating on “history,” as just presented, provides Mnouchkine with a rich source for political commentary.

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Ariane Mnouchkine (Routledge Performance Practitioners) by Judith G. Miller

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