By Waters, Clara Erskine Clement
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Additional resources for Angels
The multitude of angels which were introduced into early religious pictures (messengers, guardians, choristers) often indicated a “cloud of witnesses”. They lend an element of beauty and of spiritual emotion to the scenes honoured with their presence. Deposition from the Cross (Pala di Santa Trinità) Fra Angelico, 1437-1440 Tempera on panel, 176 x 185 cm Museo Nazionale di San Marco, Florence 56 57 Their effectiveness has appealed to many Christian architects who have fully profited by the example of Solomon, who “carved all the walls of the house temple with carved figures of cherubim,” and he made the doors of olive-tree, depicting carved cherubim.
Deposition from the Cross (Pala di Santa Trinità) Fra Angelico, 1437-1440 Tempera on panel, 176 x 185 cm Museo Nazionale di San Marco, Florence 56 57 Their effectiveness has appealed to many Christian architects who have fully profited by the example of Solomon, who “carved all the walls of the house temple with carved figures of cherubim,” and he made the doors of olive-tree, depicting carved cherubim. In the same manner, in many old churches, angels carved in marble, stone or wood, and painted on glass, in frescoes on walls, and in smaller pictures, fill all spaces, Madonna of the Rose Bush Stephan Lochner, c.
Most angels are depicted as masculine. They are represented as having human forms and faces, young, beautiful and perfect, with an expression of divine nature. Artists see them as created beings, therefore not eternal, but they are never old, and should not be infantile. Such representations are referred to as infant angels and symbolise the souls of regenerate men or the spirits of dead infants, those of whom Jesus Coronation of the Virgin Fra Angelico, 1434-1435 Tempera on panel, 209 x 206 cm Musée du Louvre, Paris 50 said that “in heaven their angels do always behold the face of my Father”.
Angels by Waters, Clara Erskine Clement